The Seed of Freedom
Painting by Barbara Clark, 2009
Photo by Roy Temple
Aesthetic Education Program Models: Communities Celebrate Children’s Voices, Diversity, and Critical Thinking
Forgotten Dreams: Unmasking Our Stories (2015)
Clark, B. A. & French, J.J. (Fall, 2015). Forgotten Dreams: Unmasking Our Stories. Twelve
Week Aesthetic Education Workshop & Compassionate Community Celebration; Storybook
Characters Book Publication. Hearts & Minds Without Fear Arts in Education with CCSU
Elementary Education Students & Grade Three English Language Development Classroom,
Teachers & Principal, Holmes Elementary School, New Britain, CT.
Clark, B. A. & French, J.J. (Spring, 2017). Who Do You Want To Be? Two Week Aesthetic
Education Workshop, Self-Portrait Display & Multimedia Educational Film. Hearts & Minds
Without Fear Arts in Education with CCSU Community Engagement Minor Students & Grade
Five Student & Teacher Classroom, Holmes Elementary School, New Britain, CT.
Clark, B. A. & French, J.J. (Fall, 2017). Who Am I? Three Week Aesthetic Education Workshop
& Multimedia Performance. Hearts & Minds Without Fear Arts in Education with CCSU
Community Engagement Minor Students & Grade Four Student & Teacher Classroom, Jefferson
Elementary School, New Britain, CT.
Clark, B. A. & French, J.J. (Fall, 2015). Forgotten Dreams: Unmasking Our Stories. Twelve
Week Aesthetic Education Workshop & Compassionate Community Celebration; Storybook
Characters Book Publication. Hearts & Minds Without Fear Arts in Education with CCSU
Elementary Education Students & Grade Three English Language Development Classroom,
Teachers & Principal, Holmes Elementary School, New Britain, CT.
Clark, B. A. & French, J.J. (Spring, 2015). Unmasking Sense of Self: A Ladder of Time. Twelve
Week Aesthetic Education Workshop & Compassionate Community Celebration. Hearts & Minds Without Fear Arts in Education with CCSU Elementary Education Students & Grade Six
Classroom Students (identified for social emotional & academic challenges), Education Theme
Coach & Vice Principal. CREC Medical Professions & Teacher Preparation Academy & DiLoretto Elementary, New Britain, CT.
French, J.J. & Clark, B. A. (May, 2011). Aesthetic Awareness Performance: Valuing Bilingualism. CCSU Elementary Education Students in Expanding Bilingual Dual Language Education in Our Schools: A Summit to Inspire, Organize, and Advocate. CCSU, Connecticut NAME, Connecticut State Department of Education & New Britain School District, New Britain, CT.
Clark, B. A., French, J. & Werblow, J. (April, 2010). Unmasking Identity. CCSU Secondary Education Students & Bilingual Eighth Grade Students. Diloretto Magnet School, New Britain, CT.
Ladder of Time (1993): A multimedia collaboration between Barbara A. Clark’s 12-year-old middle school art students and community artists at Esperero Canyon Middle School, Tucson, Arizona. Children wrote poetry, created art murals, and choreographed dances to depict a Timeline of Life in America from the 1940’s to the 1990’s and beyond. In 2009, Ladder of Time was utilized in teacher preparation, Hearts & Minds Without Fear, to inspire teacher candidates in addressing homelessness & ecological tragedy. Compassionate community arts and aesthetics programs were developed for children of all ages.
Ladder of Time (1993)
The Ladder of Time model demonstrated for teacher candidates how to communicate powerful messages utilizing multi-aesthetic mediums and artistic methods. These teacher candidates featured in many videos on this website were now able to transfer this aesthetic knowledge and skills into their work in the elementary classroom designing arts-based interdisciplinary thematic projects (See all In Action Menu items for diverse programs, including: Make a Wave & Creating a Compassionate Community: Ending Homelessness).
Ladder of Time (Poem #1): Minds Poisoning Bodies (Lara -age 12)
“Oh smallest seed, oh greatest of
possibilities, break down the fears
of teaching and open my mind so that
I might see the soul force of my
imagination (Clark, 2009)!
In our methods courses, each class
begins with a mustard seed-one
singular tiny seed-to represent
infinite possibilities a pre-service
teacher holds within. Freedom, as
John Dewey stated, “involves the
power to act and the power to
choose; it refers, not to
antecedents, but to what lies ahead.
To take an initiative, to feel that
one has a choice to make, is to
break through the limits of what
exists at any given moment; it is to
try to bring something into being,
something that is not yet” (as cited
by Greene, 1983, p. 82).
Pre-service teachers expressed a sense of freedom that comes as a result of participation in aesthetic methods and a Creative Arts Commons. According to Bowers (2006b), the Creative Arts Commons are: “Jam Sessions or gatherings of musicians, potters, weavers, dancers, actors, poets, painters, writers and sculptors...Ceremonies that involve participation of the entire community… Opportunity for self-expression, carry forward in highly symbolic form the collective memory of the community…” Each class meeting was designed as a creative arts commons so that pre-service teachers could explore aesthetic teaching methods and address innovative social/eco justice themes in the world community. The pre-service teachers revealed that the overwhelming sense of freedom and personal control of learning unlocked new voices, new ways to perceive learning and teaching beliefs through sounds, movement, masks, and poetry. After viewing the documentary titled, The Cove, teacher candidates were collectively outraged by the dolphin hunting and slaughter for profit in Taiji, Japan. This video captures a skit that was part of a community performance titled, Make a Wave, presented to 1,000 elementary children, and focused on the ecological disaster of dolphin slaughter for profit and entertainment. Teacher candidates created a marine aquarium simulation of trained dolphins demonstrating the significant trauma dolphins encounter in captivity.
This short video captures the
symbolic message created for the
children to teach children in an
authentic way to critically question
ecological justice and to stop
paying for entertainment that
supports the cruel abuse against
dolphins. Teacher candidates
revealed that they became teachers
of change and that curriculum must
be authentic and problem-based.
I stepped from plank to
plank
So slow and cautiously;
The stars about my head I
felt,
About my feet the sea.
I knew not but the next
Would be my final inch,-
This gave me that precarious
gait
Some call experience.
(Emily Dickenson, 1890/1959,
p. 166)
With the sense of freedom to create
and take action the pre-service
teacher perceived their beliefs and
realities becoming collectively
‘unmasked’ and in turn realized the
vast potential for children to free
their voices and ideas. Where
stereotypes, prejudices, false
judgments and accusations once
existed the freedom to unmasking
ideas opened space in a learning
community and opening new vibrant
possibilities for social and
ecological community action.
All references to
outside sources can be found in the
bibliography sections of our
published work.